Comparing Changes in The Metamorphosis and A Doll’s House :: comparison compare contrast essays

The Times are a Changing in The Metamorphosis and A Doll’s House    Circumstance is a powerful thing; it causes evolution in characters far beyond what they would normally experience. In Franz Kafka's The Metamorphosis Kafka develops the attitude towards this situation through the use of his protagonist Gregor. In the character Gregor we see that an individual will cling to their ideals and fail to adapt to circumstance. Inversely we see Henrik Ibsen in A Doll’s House that Nora, normally shy, possessing many doll-like qualities can adapt to her situation and ultmately come out on top.    Gregor, in The Metamorphosis goes through a transformation. He has changed into a giant insect, thus beginning a new physical life. But Gregor clings to his ideals, his strongly held beliefs of family that root themselves from his own insecurity. This causes Gregor much greif as the physical body; starts to wear its impression onto his mind. Although it didn't take long for Gregor to adapt in the physical sense, he never really adopt the true reality of the situation. He held onto his illusion of humanity because he clung to his idealism. This lack of mental adaptation caused Gregor's ultimate downfall, but as he saw it, it was a noble sacrifice. So for Gregor not to adapt to this situation with a fundamental change in ideology, was a fatal flaw in Gregor's personality. Sure enough, we are all Gregors' in a sense, we all believe in something, be it a religion, or the perpetual love of our parents. In this short story Kafka mirrors the effect of faith and morals into Grego r, suggesting that the static nature of these ideals will, in the right context lead to a person's ultimate demise.    Nora, the doll-like mother from Henrik Ibsen's A Doll's House shows the human capacity for adaptation, and the effect these changes have on various aspects of an individual. In the beginning of the play, Nora was a very doll-like character, more plastic than human. Nora showed very little sign of having an original thought of her own, and dumbly fondled her way along life to the condescending comments of her arrogant husband, Helmer. When confronted with the possibility of Helmer's death due to his own stubborn nature, she had taken a leap of faith into a loan of money, one that she would seemingly never pay back.